Throughout the whole restoration project at Cliffe Castle I was reluctant to draw the new glasshouses, at first because the site was mostly hidden behind security fences and was hard to see. I sketched the dome when it first arrived on site and later when it was raised, by a huge crane, and carefully lowered onto the framework.
And earlier still, right back at the beginning when things were being demolished, I sketched the old glasshouses to capture them as they were before they disappeared.
But for the last month or so the terrace has been complete (although we’re still waiting for the animal houses and aviaries to be finished) so I didn’t really have an excuse, other than the weather. I kept telling myself I really must have a go, but every time I looked at them I was alarmed by the technicalities – delicate white glass structures are hard to draw and the dome is full of complex elipses, (spot where I got that wrong) not to mention the perspective and the fact that whole thing is built on a hill. So in the end, especially as it’s still cold and often windy (today we’ve got intermittent storms of sleet) I took numerous careful photographs and worked from those. I don’t really enjoy doing this – it doesn’t give me the buzz that working directly outside on location does, and I never feel I’ve really connected with the place – but it does mean I could take my time working out how to get to grips with all that spindly white framework. Unfortunately it also made me work less spontaneously and fluidly and much more tightly than I normally do these days – but hey, these things happen. Now I know the structure better and next time I sketch it – from life, hopefully! – I’ll be more relaxed and look forward to drawing it in a completely different way.
fantastic! xk
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Thank you, Karen!
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These are gorgeous sketches! You are a bit hard on yourself – you were there and you took the photos! The essence of the place leaps out like a breath of fresh air. Fab!
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Oh Ronnie, thank you – I’m glad that the drawing does look fresh, even if it wasn’t done in the fresh air. Maybe I’m just looking at it through the eyes of my own experience. Also I have to confess that I have a bit of a hangup about sketching architecture generally, and it’s something I really need to get over. One of the reasons I love your work so much!
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Beautiful paintings. It’s rare to find such wonderful spontaneous and free looking watercolours.
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That’s a great compliment Jane, and thank you – especially when I was bemoaning the fact that I thought the glasshouse sketch wasn’t very spontaneous! I’m really glad you liked them.
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Stunning!! …and I cannot spot a mistake x
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Well then it can’t be as glaring as I thought! I think I’ve turned it into a sort of game – maybe I should also have said ‘spot the things I’ve missed out’! Thanks ever so. 😉
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