Archives for category: Drawing

Not too long ago I was sketching up at the glasshouse terrace, the only part of the park that was still a building site. Walls were being built at the edge of the walkway that will curve along the front of the animal houses and aviary, and I was watching (and sketching) a skillful bit of bricklaying. After a while the bricklayer stopped to go off in search of something and as he passed me in the carpark he asked what I was doing, so I explained. (It seems he hadn’t been working on the site all that long and hadn’t seen me before). 

The conversation went like this:

Bricklayer: Are you an artist?
Me: Yes. I’ve been drawing this project since the beginning….
Short pause.
Bricklayer, thoughtfully: Only difference is, I draw with a trowel, and you draw with a pencil. 

I liked this, and wrote it down – though I didn’t really need to write it to remember it. It says a lot about what drawing is. Of course bricks (or Yorkshire stone) aren’t a sketchbook and a wall isn’t a drawing, but a trowel is a tool just as much as a pencil or a pen, and bricklaying and drawing both require eye/hand co-ordination and a lot of practice. When you do a lot of it and practise often, you get better at it and it more often goes well. Not always – and I imagine bricklayers have good days and bad days just as a sketcher does, though the consequences of a bad bricklaying day could be more serious and long lasting than the times that I do wonky unsatisfactory drawings. I can just turn the page and start another sketch, and try not to mind when things don’t go right – though it’s a fact that I never get over the feeling of uneasiness whenever this happens. After days of not drawing, when I need a lot of warming up before anything will flow there’s always a small sinking feeling, a nagging little voice that says you’ve lost it, it’s never going to go right. It does come right, eventually, after a fair bit of exercise, but it always feels the same. 

I was talking about this with a sketcher-friend of mine recently, Louise Garrett, and she had what I think is the brilliant idea of carrying a rough book around as well as a current sketchbook. Something to scribble in and do quick drawings with lots and lots of looking, lots of warming up. Drawing is like dancing, or singing. It’s a physical-neuralogical-emotional thing, and you have to respect that and be patient. And just do the work. 

My ‘Drawing The Work’ project and the exhibition now on in Cliffe Castle are going to be the focus of the October session of Bradford Museums’ ‘Responses to Art’ programme – this coming Thursday, 5th October, 10.30 – 3.00. Very unfortunately I’m not going to be able to be there myself, but Joe Bean from Yorkshire Urban Sketchers is going to come along and talk about Urban Sketching – and hopefully bring lots of examples of his own work. Joe loves building sites just as much as I do and draws them brilliantly – he’s just done a wonderful series of sketches of the demolition of the historic South Stand at Headingley Stadium. I’m thrilled that people will be able to see his work at Cliffe Castle and have a chance to hear him explain what Urban Sketching is all about – like me Joe is a passionate urban sketcher! 

Anyone interested in going along on Thursday should ring Cliffe Castle to book a place, on 01535 618231. It should be an interesting day! 

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Today the ongoing work in the park was merely a backdrop to a very important annual event, and I made sure I was there to meet some of the visitors and to try to sketch a few very quick portraits. 

Teddy bear sunbathing

The sun shone. In fact it was hot, which perhaps explains why a lot of bears simply lay around on picnic blankets, in various bear-like positions. Though some adopted more thoughtful and even strenuous poses…. 

Short haired bear doing yoga

I’ve often wondered if bears are interested in yoga. This one seemed to be holding a pose with a placid and peaceful demeanour and I couldn’t help thinking this would be a good addition to a picnic. Teddy bear yoga – or perhaps teddy bear Tai Chi? I’d find a bit of practice of that sort in the company of teddy bears very calming – they’re even less stretchy than me, and very much better at acheiving peaceful stillness. Something for next year? 

Teddy in a pushchair

This is Jasper (I know that by his necktie) who was one of the few bears I saw to have acquired a really comfortable seat. No doubt he was going to have to ride home in less style when his owner reclaimed the buggy but in the meantime he was reclining contentedly and observing the crowds queueing for balloons. 

Fluffy grey Me to You bear

And by the time I left some bears like their young owners were looking a bit sleepy…. some were getting squashed into carrying bags or tucked under arms or into the luggage carriers of buggys. This is Baby Bear, a fluffy grey long haired Me To You bear, waiting to be picked up and taken home. 

I took my own bear along to see what was happening. He’s been with me for almost as long as I can remember (off and on – over the years he’s had sabbaticals and gone on expeditions and adventures of his own; at one time he was a remedial teaching assistant) so he’s getting to be a venerable age. People were duly impressed by this – he must have been the oldest bear there. 

Bear accompanying me sketching

The best parties are the ones that are not necessarily the most spectacular, but all you remember is having fun and enjoying the day! 

Sketchers preparing for a behind-the-scenes tour of the unfinished glasshouses

Unexpected fun – Sketchers preparing for a privileged behind-the-scenes tour of the unfinished glasshouses

Museum sketching in the Conservatory - Gina Glot's drawing of the carved marble urn

Museum sketching in the Conservatory – Gina Glot’s drawing of the carved marble urn shaped like a shell

I was so busy meeting people at the Garden Party last Sunday that I didn’t get a chance to do any sketching, but luckily there were others who did! At long last I had the chance to meet up with sketchers who until now I’d only known online, through Yorkshire Urban Sketchers and Sketch That Leeds. For them it was a chance to enjoy the action, to see some of the things I’ve been sketching in the park all year, to explore and draw in the museum – and to get a behind-the-scenes look at the still unfinished work when they were taken on a tour of the glasshouses (hence the hard hats). 

Sketchers from Sketch That Leeds, drawing dancers in the museum

Sketchers from Sketch That Leeds, drawing dancers in the museum. (Note the vital piece of equipment peeping out of the bag; I thought for a minute Helen had brought along a little friend but the weather was a bit variable – we all came prepared)

Sketching the action

Sketching the action (I never got the chance to see the drawing so I don’t know if the fellow in the foreground who looks about to dash in and join the dance got into the picture too….)

Meeting Sketchers at lunchtime in the Lodge

Meeting Sketchers at lunchtime in the Lodge

Joe Bean's sketch of the jazz trio playing outside the Conservatory

Music in the park; Joe Bean’s sketch of the jazz trio playing outside the Conservatory

The tour of the glasshouses was an unexpected extra and although no-one got a chance to sketch there, everyone realised what an exciting place it’s going to be from a sketching point of view. The views are going to be magnificent and the buildings themselves are going to be even more wonderful when they’re planted up with ferns and succulents and cacti and the Norfolk Island Pine. And of course, there will be the café! 

Mel Smith Parks Manager showing Sketchers the glasshouses

Mel Smith the Parks Manager showing Sketchers the glasshouses – standing on the terrace that will be in front of the café

In front of the café

The open end to the café glasshouse row

At the end of the café row of glasshouses the structure will be a covered roof, with no walls – so you can sit or stand there sheltered from the weather but still enjoying the fresh air and with uninterrupted views across the lawn to Cliffe Castle and Airedale

And the exhibition of Drawing The Work is now open in the museum, in the Breakfast Room next to the Conservatory – a long glass cabinet displaying my sketchbooks and drawings, accompanied by some of the objects in the sketches, watched over by Queen Victoria’s beady eye…. 

Display in the Breakfast Room

Sketched objects, and the objects themselves

Display cabinet with drawings

It’s humbling to see my work on show alongside the extraordinary objects and works of art in the museum. There are some wonderful things in this room and it felt quite startling to come into the museum and see my drawings and sketchbooks next to the things that I love to sketch! Over on a table in the corner are the four facsimile sketchbooks next to a welcoming sofa where people can recline in comfort and browse the books, under the gilded chandalier in the marvellous surroundings of what was the Butterfield’s everyday dining room. I love this mixing up of the past, the present and the future – and I’m so enjoying being able to share my sketchbooks like this. I look forward to meeting more of the people who like me are fascinated by the way history unfolds in front of us day by day – and to more urban sketching! 

Cliffe Castle Park in Keighley is being restored with funds from the Heritage Lottery Fund. Work started on site back in June 2016 and I’m following progress and sketching whenever I can.

Back in April, the bank beneath the glasshouse terrace that stretches between the museum and the junction of paths at the top of the hill near the playground was planted with rhododendrons.* Just last week, a lot more planting started and the lawn in front of the bank is now laid out as planned (I’ll get to sketching all this sometime soon) – but the bank of rhododendrons got me really excited when I first saw it more than a month ago. As soon as the plants were in it looked lovely, but in only a few days some of the little bushes started to throw out buds which soon began to hint at opening, and at this moment they looked so extraordinarily exotic. It made me realise how the Victorians must have seen them, when these plants were new arrivals in England – there’s such drama and excitement about the way the buds prepare themselves as if they’re going to explode into something alien and unknown. As I sketched them I was wondering what they reminded me of and I found myself thinking not of plants at all, but more mythical things. They look like dragon’s eggs, about to hatch. 

Perhaps this isn’t quite as crazy an idea as it might seem. The rhododendrons that were originally planted all along this bank – and on the other side of the house as well, so the the building stood framed by an arc of glorious coloured blossoming bushes – all came from China, famously a land of dragons. And just overhead, clutching a weather-vane and gazing balefully across the lawn towards the Aire Valley is a more gothic, Northern type of dragon, hard to see clearly in detail because it’s perched so high up, but a landmark visible from all over this part of the park.  

A few days later the buds opened and spilled out in a riot of colour. I have to confess that I don’t often get this excited by horticulture, but all this was somehow so much more than I’d expected – I suppose I’d got caught up in the story as much as the drama and beauty of the flowers. 

For such a long time up until now the daily stories in the restoration project have been about chopping down, digging out, excavating and construction, and the landscape has been one of mud and frequently churned up grass – so the start of planting and the sight of these flowers seemed like a real celebration and the start of something new. There’s so much more to come! And already it’s possible to imagine what this part of the park will look like at the same time next year….. more beauty, and lots more stories. 

* For those interested in such things I asked about the varieties of different rhododendrons planted and they include Edith Bosley, Snow White, Mothers Day, Horizon Monarch, Mrs Lowinsky, Albert Schweizer and Delta. The ones I sketched are (probably} Horizon Monarch. 

POSTSCRIPT: it’s not long to go now until the Saltaire Arts Trail – the weekend of the 27th to 29th May – and I’ve sent in another entry to the Postcard Exhibition to be held in the United Reform Church in Saltaire Village – a drawing of a fantastically gnarled old root grubbed out during the relandscaping somewhere in the park. All the postcards will be on display and for sale (at extremely reasonable prices) with the proceeds going to The Cellar Trust – so if you fancy an original watercolour of a genuine Cliffe Castle root get along to the exhibition! 




More updates on the work of the conservation project, photos, plans, and background information here, and at the Cliffe Castle Park Conservation Group website and on the Parks Service page of Bradford Leisure Services.

As part of the Grand Opening Event at the end of July, I’m excited to say that Cliffe Castle Museum are going to be putting on an exhibition of all my sketchbooks and drawings from the Drawing The Work sketching project! 

Kirsty Gaskin the curator has come up with a really clever plan for the exhibit – to have a static display with the drawings and sketchbooks behind glass with the pages turned over day by day, but also to make two facsimile sketchbooks for people to handle and look through. I think this is a real brainwave, and I’m so lucky to have the museum putting all this into action. 
I’m absolutely delighted about the exhibit because I hope it can demonstrate how sketching can be a really unique and exciting way to record a project of this sort – and I’d love to encourage more people to do it. It’s been interesting to realise over the course of the restoration project just how how my sketching has had unexpected benefits – not just for me, but also for the Conservation Group, the museum, for workers on the site and for visitors to the park (- I’ll write a bit more about this later on in another post as it’s something worth exploring). 

While I’m announcing things – I want to say a big thank you to Yorkshire Urban Sketchers and to the international Urban Sketchers movement for all their inspiration, support and encouragement, because without them I would never have started any of this, let alone been able to carry it through. 

The Grand Opening is on Sunday 30th July, and will be an extraordinary Victorian themed day with some amazing attractions – follow the link to the announcement on Facebook and more details will be posted nearer the time. Posters are already up in the park. Put the date in your diaries!  

More updates on the work of the conservation project, photos, plans, and background information here, and at the Cliffe Castle Park Conservation Group website and on the Parks Service page of Bradford Leisure Services.

Cliffe Castle Park in Keighley is being restored with funds from the Heritage Lottery Fund. Work started on site in June 2016 and I’m following progress and sketching whenever I can.

Looking towards the drive from Dark Lane at dusk, in January

The evenings are getting lighter now, the days longer. A couple of weeks after Christmas I stood about half way along the Dark Lane path and sketched this view across the field at about 3.30 in the afternoon; now I can walk up there at the same time and catch the sun while it’s still behind the treetops and casting long shadows over the field. There are snowdrops and crocuses, buds on the trees and birdsong everywhere. 

There’s also an awful lot of mud. It can’t be helped; we’ve had a lot of wet weather, the diggers and dumpers have churned up the lawns where work is continuing, and removing all the shrubs from the terrace borders has been messy. It’s getting better –  new plants will be going in soon, more land drains have been repaired which should improve the places that have always tended to get soggy, but there’s still a lot to do. 

High-vis jackets brightening up a landscape full of mud

As we’re coming to the end of winter and looking forward to spring, I  thought it would be a good time to look back at what’s been done as well as what’s still to do – so here’s a round-up of the stories I’ve recorded so far and a hint of what’s to come. 

Demolition of the car park wall

It all started last summer with the careful demolition of part of the car park wall, and then work began in the main site on the top terrace behind the car park; the old glasshouses were taken down, the animal enclosures removed, and the site was prepared for new building. A lot of earth moving went on at this time, with plenty of impressive heavy machinery and the viewing windows in the security hoarding were much appreciated – by me, as I could now see what was going on and sketch it – and by small children and dogs, who could look through the low level window (now unfortunately missing after the Christmas storms). Small boys loved the diggers; dogs were more interested in the rabbits

Digger and dumper seen through one of the viewing windows

Some interesting things were found during the demolition and the digging of trenches and foundations, some of which will eventually be on display in the museum, but in the meantime I was able to sketch them and wonder about their stories. 

Assorted metal objects found with the assistance of a metal-detector

After what seemed like a long time, building work started on the foundations for the glasshouses and a simply gigantic circular concrete container was set in place where the domed palm house will be (except instead of a palm, this will be be a Norfolk Island Pine); eventually the framework for the glasshouses started to go up and the dome and its cupola were carefully assembled and glazed, before being lifted by an enormous crane one chilly February morning, watched by assembled crowd of contractors, park and museum staff, conservation group members and Councillor Sarah Ferriby from Bradford Council. 

Glazing panels for the dome carefully wrapped in plastic and delivered on pallets

The elegant shape of the pond, following the exact contours of the original ornamental lake

The pond is a story in itself; being much more visible it’s been easier to draw – you can follow progress herehere and here – and the carved marble fountains which have been taken away for conservation work will soon be back. 

Dark Lane path behind the bandstand under construction 

With so much mud around one of the best paths for walking on at the moment is Dark Lane, along the top of the lower field – one of two completely new all-weather tracks. Other paths have been resurfaced and now new sitings for benches are being laid (- soon there’ll be completely new places to sit and sketch)… 

View across Airedale in January, with the afternoon sun fading fast

Right now there’s work going on at the pond, on the bandstand, on the flights of stone steps leading up from the lower terrace to the museum and on the glasshouses. Lots already acheived, but plenty still to do –  and many more discoveries to make and stories to tell.

  
More updates on the work of the conservation project, photos, plans, and background information here, and at the Cliffe Castle Park Conservation Group website and on the Parks Service page of Bradford Leisure Services.

Cliffe Castle Park in Keighley is being restored with funds from the Heritage Lottery Fund. Work started on site in June 2016 and I’m following progress and sketching whenever I can.

This week the dome is going to be raised and put in place on top of the glasshouse frame, and to celebrate this landmark event I’m making a selection of my sketches available to buy as prints, from Photobox.com. (You can see these collages here on my website.) If you’d like to know more, send me a message through my Contact page and I’ll send you a link to the album and the password you’ll need to access it so you can have a look. The fee you’d pay to order is simply the cost of the prints from Photobox. 

Over the last week the dome that will be the crowning centrepiece of the top stretch of glasshouses has been gradually assembled on site. It sits there looking huge (will it seem smaller when it’s up in the air?) and now it’s being glazed. The curved glass panels arrived carefully packed in lots of plastic wrapping and strapped to wooden pallets – and it’s toughened glass, not plastic, so what with the structure of the dome itself the whole thing is going to weigh 9.5 tons, which is going to need a big crane to lift it. All being well this is going to take place this Thursday, and needless to say I plan to be there to watch…..

Glazing panels being unpacked

I’m finding the dome itself a real challenge to draw – first there’s the difficulty of getting the curves and elipses right, especially hard when drawing standing up and in a smallish sketchbook – and then there’s the question of how to deal with the glass. I haven’t managed to get it anywhere near right but at least every time I draw it I learn something more about its shape and construction.

Dome and cupola partially glazed and almost finished

Watching it being raised by crane and lowered into position is going to be so exciting…….!

More updates on the work of the conservation project, photos, plans, and background information here, and at the Cliffe Castle Park Conservation Group website and on the Parks Service page of Bradford Leisure Services.

Cliffe Castle Park in Keighley is being restored with funds from the Heritage Lottery Fund. Work started on site back in June and I’m following progress and sketching whenever I can.

Another landmark in the work on the top terrace – the framework for the central section of glasshouses has started to go up. This will be the circular, domed structure that will contain a Norfolk Island Pine planted in the most enormous container that’s already in place. (I sketched this at the end of a dark afternoon when the light was fading fast and I could see just well enough to make out what was going on.) 

Many of the plants that were in the old glasshouses were removed before the demolition and stored for safety, so some of these cactii and succulents will find their way back into the new planting schemes. But in the meantime, behind the scenes, a lot of work is going on to plan and devise what to plant and how best to arrange it. 

The Victorians were obsessed with ferns. There’s even a word for it – Pteridomania – they couldn’t get enough of them, and wherever possible they planted them in exotic and dramatic settings imitating a kind of romantic woodland, incorporating old dead roots and stumps of trees. (The oldest and most famous Stumpery is at Biddulph Grange in Staffordshire and photographs of it show something weird and gothic, looking like something straight out of Middle Earth.) 

Rooteries are simpler, more natural, and less contrived. Last week Dan Palmer the Heritage Parks Officer put together a collection of roots and the odd bit of stump collected from uprooted bushes from the park hedges and planted a few ferns and other plants as an example of what might be done. I loved it – I think I even recognised the root from drawing it where it was lying outside during the previous week – and I just had to do a sketch of this sample Rootery. 

The planting schemes for the whole park still have to be finalised and it will exciting to follow; it has taken an enormous amount of research into the history of the original gardens and to source specimens of just the right kind. Only this week there was exciting news about rhododendrons…… but more about this another time!

More updates on the work of the conservation project, photos, plans, and background information here, and at the Cliffe Castle Park Conservation Group website and on the Parks Service page of Bradford Leisure Services.

Cliffe Castle Park in Keighley is being restored with funds from the Heritage Lottery Fund. Work started on site in June and I’m following progress and sketching whenever I can.

Know what this is? I knew what it was as soon as I saw it because I’ve wanted one for ages – it’s a hotel for hibernating insects. It stood centre-stage in the Pop-up Park, the exhibition/event that Bradford Parks department and the Conservation Group put on in the Airedale shopping centre all last week. I got so excited by the insect hotel that I ignored everything else for a while as I sketched it and enjoyed its lovely wonkiness. This is a very superior model – many are simple box constructions, sometimes quite small – and this one is also a teaching aid to use with children, with doors to open and close and questions to find answers to. But how lovely it would be to have an insect residence in the park!

Bees have been a part of park life at Cliffe Castle for a long time and many, many people have come to watch them as part of a visit to the museum – but probably just as many people don’t know that they’re there. (The hive is moved to East Riddlesden Hall in the winter and comes back to Cliffe Castle in the spring.) There were beekeepers in the Pop-up Park on several days during the week, chatting to visitors – and I managed to catch some in action just outside the museum one memorable afternoon in the  summer, when they were checking the hive which they’d brought out to a quiet corner behind the grotto.

The Pop-up Park was a great opportunity to showcase some of the things that happen there regularly. Importantly, it was also a chance to find out what people most enjoy in the park by asking them to fill out a questionnaire about future events, and to give ideas for the café and what it should provide. (If you didn’t get to the Airedale centre and would like to give your thoughts on these things, the questions are here at the bottom of this post. You can hand your comments to the staff at the museum, or send them through my contact page here.)

Saturday was the last day for the event and a Pop-up Bandstand was a perfect way to round off the week, with Herr Jens’s Bavarian Oompah band. Oh, I do love a brass band! Herr Jens’s band plays on the bandstand at Cliffe Castle in the summer and I always enjoy the concerts there, but this time it was festive Christmas music and there’s something particularly wonderful about a brass band playing carols at Christmas. I stood there sketching and singing (I couldn’t stop myself – luckily the instruments were loud enough to drown out the sound of my voice.)

There’s plenty going on at Cliffe Castle over Christmas, and if you’re interested in the restoration of the park, have a look in the windows of the Conservatory where there’s a display called ‘What the Dickens’ showing some of the plans for the restoration project – but don’t miss going inside to see the Conservation Group’s very funny and clever homage to Charles Dickens’ – ‘A Cliffe Castle Christmas Carol’.

A very happy Christmas to everyone!

**********

Would you like to give your views on events in the park, and its café?
Cliffe Castle Park group would like to know your thoughts on events. You can answer these questions in the comments box on the Contact page here, or write them on paper and hand them in at the museum.

Please tell us if you are: female/male/child/group/family

What good events have you been to already?

What good events have you gone to in other parks?

Do you go with family/friends?

At what season/s would you like to have park events?

Any suggestions for the kind of future events you’d like to go to?

Café:

When would you like/need the park’s café to be open?

What sort of food and drink would you like to be available?

Do you think what’s on offer should change by the season/week/day/occasion? Any comments?

Would you like to use the café as a meet-up place?

Do you think dogs should be allowed in the café?

Have you any suggestions for the café?

Thanks for helping by giving us your thoughts and ideas!


More updates on the work of the conservation project, photos, plans, and background information here, and at the Cliffe Castle Park Conservation Group website and on the Parks Service page of Bradford Leisure Services.

Cliffe Castle Park in Keighley is being restored with funds from the Heritage Lottery Fund. Work started on site in June and I’m following progress and sketching whenever I can.

A well made path is a lot more than just a convenient way to keep your feet dry when the grass is wet and muddy. When it’s well thought out, a good path can take you on a slow journey of discovery through a landscape that you thought you knew, and show you familiar things in a different way. 

I’ve walked across the top of the steep grassy slope between Moorside Wood and the children’s playground often enough, and I know what I’m going to see. But now a curved stepped pathway is being created here, curling up the hill and inviting you to discover what’s around the corner. Even though at the moment it’s still unfinished, already it’s easier to climb without feeling you might turn an ankle on the slippery grass and you can look around as you go without needing to keep one eye on what’s happening underfoot. So now, as you leave the wood, you can appreciate the pleasure of a slow winding journey and the anticipation of what’s going to unfold as you follow the path up the hill…and if you walk the other way the same thing happens. The path curves downhill enticingly towards the entrance to the wood. 

Elsewhere, other paths are getting a makeover.

The steep path that leads from the Beechcliffe entrance up to the playground and the tower is now being prepared for a new covering of tarmac; this was in a dilapidated state and it’ll be more enjoyable to walk on a good firm surface. When it rains hard, rainwater comes rushing down this gully and once or twice I’ve seen it looking like a raging torrent; no wonder the path had become so eroded. 

All the paths in the park are going to be repaired and restored – the main drive is already done. Slowly but surely things are taking shape, every day a bit more progress, and every day something new to see.



More updates on the work of the conservation project, photos, plans, and background information at: https://m.facebook.com/Cliffe-Castle-Heritage-Lottery-Bid-304048249751094, at the Cliffe Castle Park Conservation Group website and on the Parks Service page of Bradford Leisure Services.